SAD 1/2021

Miroslav Petříček
I DOUBT THEREFORE I MUST THINK DIFFERENTLY
        Charles Sanders Peirce: Ideas, Beliefs and Habit

Karel Haloun
HASTA LA VISTA
truth and lies on the road – volume 6
 
Petr Fischer
SCHELLING THE DIFFERENCE
documentary papers – volume 6

Marie Reslová
FROM THE HOSPITAL LOBBY TO THE «COURTYARD» OF THE GALLERY
mirroring by Matej Al-Aliho – Czech pond of Kurta Gebauera
Matej Al-Ali: Stranger IV., Four Days and Fakultní nemocnice Motol, 2020; Kurt Gebauer, National Galery Prague – Veletržní palác, 2020

POLITICS IN THE VIRAL WORLD

THEATRE CRITICS’ AWARD
performance of the year, actress, actor, theatre/company, best new Czech play, set design and costumes, music and talent of the year 2020

CITICS’ SURVEY
in all categories including foreign performance and „quarantine theatre“

THEATRE NEEDS THEATREGOERS!
first appeal of Svet a divadlo magazine

PLANS FOR FREEDOM
third quarantine survey
responders Jiří Havelka, Lukáš Brychta and Kateřina Součková, 8lidí, Michal Hába, Jiří Honzírek, Vojta Švejda, Petr Boháč and Matyáš Dlab

NEW DIRECTIONS FOR USE
second appeal of Svet a divadlo magazine

EWALD MURRER
GAMES from upcoming collection Traumonium
NEW DIRECTIONS FOR USE 1/2021

Barbora Etlíková
LOW RATES, TRANSFORMATIONS OF MATTER
first season of the Terén platform
Insider, dir.: Cristina Maldonaldo, Terén-CED, 2019; outside the box 01, text, music and art concept Andrej Kalinka, Terén-CED, 2020; Za bílou velrybu, dir.: Petra Tejnorová, Terén-CED, 2020

Veronika Štefanová
DANGER CALLED FEAR
Hang Out by Eliška Brtnická
Hang out, concept, performance and set design Eliška Brtnická, 2020

Jitka Šotkovská
A PRE-CHRISTMAS CRUISE THROUGH BRNO
Voyage to the Qeen of North
Juliána Vališková: Cesta za královnou Severu, interactive walk through Christmas Brno for families with kids, Divadlo polárka, 2020

Ester Žantovská
ONE DAY ON THE SCREEN WITH WARIOT IDEAL
Frame raté 18
Wariot Ideal: Frame raté 18, shot by Vojta Švejda, Jan Kalivoda, Jan Dörner, Lukáš Kalivoda, Šimon Janíček, Milena Dörnerová, 2020

Vladimír Mikulka
FESTIVAL IN THE COVID TIMES
Cirkopolis – WINTER
Eliška Brtnická: Fish Eye, Festival Cirkopolis, 2021; Lukáš Karásek: Obývací pokoj v kobce, Festival Cirkopolis, 2021; Collection of Sceptical Pleasures, dir. and set design Filip Zahradnický, Festival Cirkopolis, 2021

S.d.Ch
THEATRE TESTS!
conspirative site-specific in town X

S.d.Ch.
CAMPING
moment of weakness on road to the power – ornithologically phased five-act-play – third instalment of Havel trilogy
FROM REVOLUTION EVOLUTION AND THE OTHER WAY AROUND 1/2021

NO REAL RESULTS
survey with Czech literary managers
responders Dagmar Fričová, Jan Horák, Marta Ljubková, Jana Slouková, Jan Šotkovský, Marie Špalová and Olga Šubrtová 

KLIMÁČEK DANGLÁR: TWIN 7 WODKA FLAMES
 (fantasy comics about final battle between theatre and television in our as well as parallel world)

contents of  Svět a divadlo 2020 volume

Summary 1/2021

The first issue includes the traditional critics’ survey that forms the basis of the Theatre Critics’ Awards (q. v.). Miroslav Petříček’s essay “I Doubt, Therefore I Must Think Differently” is accompanied by excerpts from Charles Sanders Peirce’s essays, “Ideas, Beliefs and Habit” and at the same time it introduces one of this year’s thematic series, on ground-breaking or even revolutionary changes. Continue in 2021 will also Karel Haloun’s series “truth and lies on the road” (in this issue the Mexican “Hasta la vista”) and Petr Fischer’s cinematographic “documentary papers” (“Shelling the Difference”). The first contribution from the series focused on fine arts Marie Reslová dedicates to an installation by Matěj Al-Ali and an exhibition by Kurt Gebauer (“From the Hospital Lobby to the «Courtyard» of the Gallery”). The opening section “Doubts… about Ground-Breaking Movements” is rounded out by a translation of the essay Politics in the Viral World. In the following section “Which Way… from a Locked-Down Theatre” we publish the so-called “first challenge of the Svět a divadlo magazine” entitled “Theatre Needs Theatregoers!” which emphasizes the necessity of interaction with an audience, and this is followed by “Plans for Freedom”, the third “quarantine survey” in which questions are answered by figures from contemporary Czech experimental theatre. The second challenge from Svět a divadlo is entitled “New Directions for Use” and it is inspired by “destatic poetry” of Jiří Kolář (from whom its title is also borrowed). In the section “The Czech… School” it is accompanied by the first of the “new directions”, Ewald Murrer’s Games from his upcoming collection Traumonium. In the section “Terrain… for Testing” Barbora Etlíková (“Low Rates, Transformations of Matter”) conducts a survey of the first season of the Brno platform Terrain, Veronika Štefanová (“Danger Called Fear”) writes about Eliška Brtnická’s new cirque “walk” Hang Out, Jitka Šotkovská (“A Pre-Christmas Cruise through Brno”) describes an urban game for children Voyage to the Queen of North by Divadlo Polárka, and Ester Žantovská writes about a film Frame Raté 18 by the group Wariot Ideal. Vladimír Mikulka (“Festival in Times of Covid”) reviews productions from this year’s February festival Cirkopolis 2021 and the section closes with S.d.Ch.’s report “Theatre Travels”. The play of the issue, Camping, “the third instalment of the Havel trilogy”, is by the same author and it is also the first play in a series of short comedies “From Evolution Revolution and the Other Way Around” written for SAD. The seventh instalment of the comic strip Twins by the duo Klimáček-Danglár is entitled Wodka Flames and the issue closes with the Contents of the 2020 volume.

The Theatre Critics’ Awards are traditionally based on the sum of votes in a survey held by Svět a divadlo magazine. 66 critics participated this year. According to the critics, The Best Production of 2020 was Zahradníček / All Mine Is Yours by the JEDL Theatre Company, directed by Jan Nebeský. The play was written by Lucie Trmíková who also won Best Actress of 2020 for her performance in the production. The Best Actor of the Year category was won by Karel Dobrý for his role of Franz in Egon Tobiáš’s Kafkaesque Der Kleine Fratz (also directed by Jan Nebeský and staged by the JEDL Theatre Company). The Best Theatre of 2020 was the Cirk La Putyka, particularly for its activities in times of pandemic. The Play of 2020 was won – like last year – by Tomáš Dianiška, this time for his text The Magnificent 294, a traditionally distinctive homage to all those who aided the anti-Nazi resistance. The award for the Best Set Design of the Year was split between Hza Bažant, for the set for The Cabinet of Miracles or Orbis Pictus by the Naive Theatre Liberec (directed by Michaela Homolová), and Zuzana Krejzková who designed the set for Heretical Essays by the Prague Studio Hrdinů (directed by Miroslav Bambušek). The Best Music of 2020 was also shared by two laureates: Marko Ivanović for his opera Monument (National Theatre Brno, directed by David Radok), and the duo PΛST (Ivo Sedláček and Dan Kranich) for their music for the production The Mad Hercules (directed by Tomáš Loužný, Tiger in Distress company). The Talent of the Year was the director Jakub Maksymov.