THE ACTORS ARE COME
Milan Lukeš: Acting and Self-Presentation, Part 1
Not To Be a Carnival Girl („Questioning of Emília Vášáryová)

TRAFFICKER... AND IMPERATOR
Karel Král: Shop and Swim Away! (Slovakian Hypermarket and Czech Water Ballet)
Michal Čunderle: Resurrected (Vladimír Morávek’s Brothers K.)
Ivan Žáček: Fire at the National

THEREMIN... AND AMERICAN INDIAN
The Rockstar (Petr Zelenka Answers on Karel Král’s Questions)
Jakub Škorpil: Radok Goes Beatles
Viliam Klimáček: Theatre is Looking for Drama and Drama for Theatre (on Dráma 2005)
On The Warpath (An Interview With Jáchym Topol)

PHAIDRA... AND NICK CARTER
Rita Júlia Sebestyén: Three Journeys Into The Depth Of The Soul
István L. Sándor: The Paths of Contemporary Hungarian Drama

INSPECTOR GENERAL... AND DRAGON
Joanna Derkaczew: Jan Klata or The Necessity of War
Ewa Wąchocka: The Strategy of Political Discourse in Contemporary Polish Theatre
The Tiny Teeth of Censorship (or „The Role of Our Cultural Institutions“)

PENTHESILEA... AND PROPHET ILYA
Mária Jenčíková: Theatre Festival in Nitra: Word as Weapon
Peter Scherhaufer: Six Wonders Of The Season (Slovak Dramatic Theatre 2005/2006)

MONTE CHRISTO... AND HERMAPHRODITE
Kamila Černá: Cakes and Classicism and Tibet on Top
Karel Král: The Carney In His Best Years (The Alternative According To Petr Nikl)
Jack Of All Trades (An Interview With Petr Nikl)

THE ACTORS ARE GONE
Nadežda Lindovská: The Confession of Dr. Husák
Milan Lukeš: Acting and Self-Presentation, Part 2