SAD

third issue of XXXIII. volume
SAD 3/2022
was published in June

/for detailed summary, please click on the picture/
 

Jakub Molnár
THREE PERSONAL STOPOVERS REGARDING VIEWERS’ „EMANCIPATIONS“
paradoxes of performances with elements of immersive theatre
Sensuous Governing, Sisters Hope, 2018; Sytze Schalk, Jana Wernerová, Peter Kočiš: We, People!, Divadlo Na Peróne, 2021; Virtual Ritual, concept Jan Mocek, Sixhouses, 2019

IT’S NOT AN OSSIFIED FORM, IT COMPELS US TO A CONSTANT SELF-EXAMINATION
with Lukáš Brychta on meaning of immersive theatre

Eliška Raiterová
CITY, WALK WITH ME
some notes on three Prague audiowalks
Bedřich: First Time in Prague, script and directed by Jindřiška Dudziaková and Vojtěch Bartoš, Pomezí, 2021; Dreamy Walking, directed by Michał Salwiński, 2022; Above the City, directed by Kateřina Součková, Pomezí, 2019

Marika Smreková
PARTICIPATIVE THEATRE AS A TOOL OF SOCIAL INCLUSION
other perspectives

Vladimír Mikulka
WITHOUT SIMPLE ANSWERS
showcase Jana Mocka
Shadow Meadow, concept and directed by Jan Mocek, Sixhouses, 2017; Virtual Ritual, concept and directed by J.Mocek, Sixhouses, 2019; I am The Problem, concept and directed by J.Mocek, Sixhouses, 2020, Present: Perfect, concept and directed by J.Mocek, Sixhouses, 2021

ONLY ADDITIONALLY DO WE LEARN WHAT OUR PRODUCTIONS ARE ABOUT
interview with Jan Mocek

Jan MOCEK: I AM THE PROBLEM

RUSSIA HIT ROCK BOTTOM TO FORGET
interview with Varvara Faer

Viktor SHENDEROVICH: SWEET ON MEMORY (excerpt)

Marina Krapivina
THE BLOODY AFTERTASTE OF SWEET ON MEMORY

Barbora Etlíková
ON FAMILY WITH A RED SKELETON
The Last of Soviets at Theatre in Dlouhá Street
Světlana Alexijevich, Daniel Majling: The Last of Soviets, directed by Michal Vajdička, Divadlo v Dlouhé, 2022

Barbora Sedláková
THE DREAMS MUSEUM AND THE CIRCUS OF CRAFTY VICIOUSNESS
three times The Goose on a String Theatre
Anna Pammrová, Otokar Březina: Pammrová/Březina, directed by Jan Frič, Divadlo Husa na provázku, 2021; Milorad Pavić, Jan Mikulášek, Kateřina Menclerová: Dictionary of the Khazars, directed by Jan Mikulášek, Divadlo Husa na provázku, 2022; Aglaja Veteranyi: Why the Child Is Cooking in the Polenta?, directed by Ondrej Spišák, Divadlo Husa na provázku, 2022

Vladimír Mikulka
MACBETH AND RICHARD, OUR CONTEMPORARIES
Macbeth at The Drama Club, Richard III. at Dejvice Theatre
William Shakespeare: Macbeth, directed by Ondřej Sokol, Činoherní klub, 2022; William Shakespeare: Richard III., directed by SKUTR, Dejvické divadlo, 2022

Ester Žantovská
THE END OF A GIRLISH DREAM
Ballet Dancers at Akropolis Palace
Miřenka Čechová and Spitfire Company: Ballet Dancers, concept and performance M.Čechová, Spitfire Company, 2022

Vladimír Mikulka
SAD ENDINGS
Štěpán Pechar as The Man from Malta and Burgan by Handa Gote
Muž z Malty, concept, choreography and directed by Štěpán Pachar, Dekkaedancers, 2021; Burgán, Handa Gote research & development, 2022

Marie Zdeňková
WAITING FOR THE SUN
JEDL: OPERA IBSEN/Ghosts
Henrik Ibsen: OPERA IBSEN/Ghosts, libretto by Lucie Trmíková, music by Matouš Hejl, directed by Jan Nebeský, JEDL, 2022

Michaela Mojžišová
REMINISCENCES FROMA PRISON CELL
Jánáček’s Jenůfa at Theater an der Wien
Leoš Janáček: Jenůfa, conductor Marc Albrecht, directed by Lotte de Beer, Theater an der Wien, 2022

SHORT PLAYS FROM WARTIME UKRAINE:
Elena ASTASEVA: A DICTIONARY OF EMOTIONS IN A TIME OF WAR
Julia GONCHAR: RETALIATION
Andrii BONDARENKO: PEACE AND TRANQUILITY
Lena LAGUSHONKOWA: TOPOL-M ROCKET FIRED AT A CAT NAMED BROOCH
Liudmila TYMOSHENKO: MY TARA
Oksana GRYTSENKO: THE PEED-UPON PERSONEL CARRIER

Jakub Folvarčný
SAY: KUKYELNYI TIATR

OUTSIDE THE BOX 2: Jan Kratochvíl: DREAMS

Marie Zdeňková
WATER – FIRE – BLOOD
about new movie by Miroslav Bambušek

Pavlína Drnková
TURN TO THE OBJECT

LUKÁŠ&BELIS: DISASTERS 3 FULFILLED WISHES